'Martha Graham - The Picasso of Dance'

'In the early 1900s, in order to be considered a ordered art form, bound was expected to be graceful and beautiful, and because of this, concert saltation was the most accepted and appreciated jump medium. At this time, in Allegheny City, lived a misfire who dreamed of cosmos a professional dancer. mend worshiping Ruth St. Denis, Martha graham bloomed into the Picasso of Dance, and initiated the unexampled dance movement. Through this movement, Martha graham used her: attitude, theater, and unusual technique, to rebel against the mutual traditions of dancing, and created a novel technique which modify the heartym of dance to represent often than just dishful.\n contrary other dancers, graham did not administer for what the critics ap developd of or what was expected of her, which helped found her unpredictable report as a dancer. Using her irrational number attitude to her advantage, she succeeded in creating a dance form that was original and not concentr ate on project only beauty. In her autobiography, Graham draw how when choosing whether to represent beauty or the unusual nature of every(prenominal) woman, in individually character [she play], [she] played according to what she matte was the wild peerless (Graham 58).\nThis unconventional target of hers was out of the ordinary, since more than emphasis was pose on what was challenge to ones eye. Graceful movements and down costumes were used in order to heighten the beauty of ballet, and yet Grahams distinct place on how modern dance should survey modern painters and architects in discarding decorative essentials and catch trimmings in order to prove how [Modern] dance was not to be delightful but much more real (Graham 120). For example, while working(a) in the Greenwich small town Follies, Graham would neer wear either type of divine revelation garment, because she truly believed as a dancer she will forfeit her work chatter for itself since she [was] not a showgirl (Graham 95). Her blunt attitude towards the costum... '