William Butler Yeats can be  draw as   justness of the last ro parttics, despite broadening his style later in life to include some of the new modernist techniques and ideas. A  human being of deep respect for ceremony, Yeats maintained his passion for rhyme and   bill throughout his life, and this appreciation of form kept him from jumping   headlong into the realm of modernism. His poetry begins as highly romantic, fearful and introverted,    all in all when as Yeats matures, his poetry gains a t cardinal of  adoption and broader  purview that includes the rest of civilization--not to mention a more modern, minimalist style. Adorned with  hopeful language and lush imagery, Yeats early poems   be characterized by a sort of fearful tunnel  visual sense that focuses on only his own emotional life and Irish mythology. These early poems are highly structured, typically carrying a  quite a sing-songy meter, and tend to  outflank around  ascendents that contrast a bumpy  man with a faery    land to which Yeats yearns to escape. The reality versus  puff land theme in this early period of his  move is just one incarnation of the common theme of antitheses throughout Yeats career. These antitheses are a part of his belief system, as described in A Vision, which (very simplified) states that everything works in cycles.

 Using gyres as symbols for the cyclic habits of  nature (such as patterns of growth and decay, waxing and waning, etc.), Yeats  elementary theory was that everything  requisite an antithesis to be complete, and that everything moved in a cycle between one opposite to the other, like a pendulu   m of sorts. As can be seen in The Stolen Chi!   ld, Yeats held a fear of the pain and toils of reality that led him to yearn for a romantic escape. The child symbolizes an  purity that Yeats cannot find in the...                                        If you  regard to get a  intact essay, order it on our website: 
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